Bevza is concerned with the ubiquitousness of the Internet and its e ect on our dailylives. The way we look at pictures has particularly changed in recent years. Bevza’sfocus is on the relevance of panel painting in the post-digital age. In his artistic practicevisual information is translated via software and then transferred to canvas. Abstractionis achieved through digital processes as well as painting, whose alleged illusionism isrevealed to be a lie. The transformation from the real to the digital and nally into theanalog painting leads multiple connotations of the painterly result. This demonstratesthe unique potential of intertwining digital, computer-generated art with the painter’sown handwriting.
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